Dutch Festival Shows Films from Albania, Bulgaria, Bosnia, Croatia, Macedonia and Turkey
BalkanTravellers.com
The festival, dedicated to Eastern and South-Eastern European cinema and culture, has three main aims, according to Rada Šešić, its artistic director: to showcase the region’s cinema, which is “modern in cinematic style and appealing for the world audience” while at the same time having kept its unique “Eastern European black humour” and “Eastern European sense of storytelling”; to allow the Dutch to get acquainted with its neighbours some of which have already joined the EU (Bulgaria and Romania) and some of which will in the future; and to broaden the Dutch audience’s “knowledge and mind about Muslims and their culture” through films from Balkan countries that have significant Muslim population, such as Bosnia, Bulgaria, Turkey, Albania, and Kosovo.
More than 30 films, most of which were never released in the Netherlands, will be shown in the four-day festival programme, which has a special focus on Macedonia. The films screened as part of this focus include Milcho Manchevski’s latest film Shadows, Aneta Lesnikovska’s Does it Hurt?, Igor Ivanov’s Upside Down, Svetozar Ristovski’s Mirage, Stole Popov’s documentary Gypsy Birth and Aleksandar Spasovski’s Voyeur.
The Albanian film featured in the programme is Kujtim Çashku’s Magic Eye while the documentary Weddings and Diapers is included in the festival’s Kosovo selection. The selected Bulgarian films are Boris Despodov’s Corridor#8 and Adela Peeva’s Divorce Albanian Style, while the Romanian films are Nicolae Margineanu’s Exchange and Radu Jude’s The Tube with the Hat.
The Serbian films that are to be screened in Utrecht are Oleg Novkovic’s Tomorrow Morning, Mladen Maticevic’s How to Become a Hero, as well as the UK-Serbian production Tito’s Ghost, directed by Mira Erdevicki and the Swiss-Croatian-Bosnian-Serbian production Das Fräulein, directed by Andrea Staka. The 1971 Yugoslavian film Plastic Jesus will also be shown.
The Croatian films to be screened as part of the Eastern Neighbour festival include Dalibor Matanic’s Kino Lika, Tanja Golic’s Its Not That I don’t Know, It’s Just The Way It Is and N. Sesic-Fischer’s Memories, while the selection from Bosnia are What Do I Know by Sejla Kameric and Timur Makarevic, Informative Talks by Namik Kabil, Snack by M. Agic and Mum and Dad by Faruk Loncarevic.
The Turkish programme includes the films Flag by E. Kokun, Takva by Özer Kiziltan and My Mother Learns Cinema by Nesimi Yetik.
In addition, a few films from Russia, Moldova and Belorussia will also be screened as part of the festival.
To see the full programme and venues, visit the festival’s official website.
Epicure
Bulgaria
Shopska Salad: Three common mistakes
To Bulgarians, Shopska salad is a bit like the scrambled eggs case – while it looks as if there is no way to screw the dish, in fact its proper preparation requires nothing less then utter care and devotion. In this case – in selecting the right products and adjusting the proportions. Full Story
Curiosity Chest
Balkans
The Red and White Strings that Welcome Spring in Bulgaria and Romania
I remember walking along Canal Street in New York’s Chinatown on March 2 a few years ago, when I saw a man sporting a small ornament made of red and white thread pinned to his coat lapel. He must be Bulgarian, I thought to myself with a sudden rush of homesickness, but now realize that he may have been Romanian as well.
Full Story
Useful Reads
Bulgaria
Street without a Name: Childhood and Other Misadventures in Bulgaria (2008) | By Kapka Kassabova
Danube blues
Text by Nicholas Lezard for The Guardian*
Full Story
Music
Bulgaria
The Choir that Turned England a Bit Bulgarian
One of the few constant sources of pride for Bulgarians is traditional folk music, and especially singing. But not the Oriental-beats-modified kind that often booms in nightclubs, giving their clientele the urge to jump atop tables and chairs and sway their hips around; rather the kind that, when heard, mesmerises you and gives you goose bumps, the kind that is haunting with its out-of-this universe quality, mostly figuratively but sometimes literally as well.
Full Story
-
Photogalleries
-
A Perfect Shot